In chapter 4 of Amaranth Borsuk’s “The Book,” she discusses how the physical book has been translated into its digital counterpart. In the same way that scrolls evolved into codices, books have evolved into the digital format. As the internet expands, so do the efforts to digitize books and make them available, resulting in digital archives and the emergence of e-readers. While there may be apprehension towards the digital books and how that changes the way people read and absorb information, Jessica Pressman reassures that “the book will not become obsolete with new reading platforms, but rather, will change and develop new incarnations and readerships; it will continue to serve certain kinds of literacy needs and literary desires.” In fact, Borsuk goes on to explain how authors, publishers, and readers are adapting to a digital reading space in which we are at the crossroads of bookish innovation. In this era of digital media and publication, there is a wide avenue for authors to decide how they want to convey their message. Much like the modernists who responded to the stiff Victorian books, we are pushing the boundaries of what makes a book a book. Erik Loyer’s digital book, “Strange Rain,” utilizes technology in a way that enhances the reader’s experience. Holding the phone or tablet up to the ceiling to convey the image of a skylight helps relay Loyer’s idea and allows the reader to become absorbed into the mindset of the main character. This unique reading experience changes the way the reader views the book. It blurs the lines between technology and books. Borsuk continues to discuss these digital formats and introduces Dick Higgins’ term, “intermedia.” This term perfectly encapsulates this new era of reading in which format and content, technology and book, collide in a new exploratory form that can go in any direction based on the creator’s intention.