As someone who knew what they loved(books) from a very young age, my relationship with its concept and physicality has gone through many changes. None so drastic as what I feel today. When I was younger, I was read bedtime stories when I would be tired, and I would have story-times in class where we’d all sit on the carpet and listen to the teacher read. If I was feeling brave, I would look at a monster book I vividly remember having and quite boldly purchasing at a school book fair one year. As I grew older, the texts got a bit thicker, smaller even. I would read for fun while simultaneously read for school. I remember having large hardcover school textbooks on core subjects like History, Science, and English. Then the author’s became important around late middle school and definitely high school. Canonical writers like Hemingway, Fitzgerald, and Steinbeck flooded my brain with their words and characters. And it was sometime in my late high school years that I listened to my first audiobook.
Just like how Professor Pressman states in her article, “In order to read Between Page and Screen, you must take, quite literally, a material turn. You must shift away from the traditional posture of holding a book and reading the text printed upon its pages.”, I too had to reorient myself to how I interacted with reading. Now I was listening to someone else’s voice reading the book. Sure, it was similar to the orality of being read to when little, but now there is no focal point. The voice is in my speakers or headphones, not in front of me. My hands weren’t preoccupied and anticipating to turn the page or use my pointer finger as a guide. I had a harder time focusing yet it made all the more sense to just simply use an audiobook. Or at least that’s how it felt when I gifted someone a physical book and they replied to me saying, “I only listen to audiobooks now.”
Now, you have easy access and purchase power to let’s say a text that you would find in a bookstore, right on your phone. And the phone would mimic turning the page, highlighting function etc…Furthermore, hypertexts like Marino’s story now force the reader to engage with the text but specifically through marginalia and the journey doesn’t have to be linear if you don’t want it to be. Texts, along with technology, our changing our literary landscape in drastic ways. And lastly as aforementioned Borsuk’s Between Page and Screen is a digital text that can only be read or rather translated through the eyes of technology. You engage with the text, almost working alongside it, by pointing the book towards the lens and watching the text come to life and float in front of your screen. It is a fascinating thing to not only experience but to be aware that we are in the midst of a great shift in the way we interact with media and literature; books are evolving, literature is augmenting itself, and we are guiding this change in the Digital Age.