New York Times writer Noam Cohen names Jorge Luis Borges the “Man Who Discovered the Internet” (“Borges and the Foreseeable Future” 2008). Borges (1899-1996) envisioned prescient models of hypertext and the Internet not only as technologies, but as cultural institutions which shape human relationships to reading and space. The Library of Babel, Borges’ famous 1941 short story, is framed as the late dispatch of a philosopher in the limitless, arcane Library of Babel. Borges suggests that the custom of reading is a perpetually iterated project in which we interpret our environments, and through which we construct and deconstruct knowledges.

The narrator of The Library of Babel catalogs the esoteric architecture of the Library, defining its physical properties much like an archivist recording the material data of a book object. The datific language of this archival reads the Library itself as a book object. (The fabled “book that is the cipher and perfect compendium of all other books” would thus seem to be the Library itself, and all librarians within it thus together compose the demi-godly “Book-Man” [116].) The narrator’s descriptions increasingly focus in scale, suggesting the labor and time taken to read the Library space: while it might take quickly enough to mark that “[e]ach wall of each hexagon is furnished with five bookshelves”, for how long have the librarians studied to find that “each line” of every book contains “approximately eighty black letters” (113)? The labor of cataloging the Library’s material properties, as visible in the narrator’s report as it is in the metadata of SDSU’s library catalog, is bound up in bodily time. Borges situates archival, reading, and knowledge production as material, time-bound labors that interface with violence and mortality. Before the Internet exists, Borges reminds us that this network is a material construction through which human labor produces means of interpreting information. This seemingly prophetic image indicates Borges’ understanding of books, reading, and knowledge production as material objects and actions.

More under the cut.